Author: Andrew Hilzendeger

Naked in This Economy

These days, the economy is on everyone’s lips. Uncertain times. The job market is stiff. Job hunting is like a bad fishing day. But this writing isn’t about tough economic times.

I’m writing about an economy of a different sort, something more than unemployment or inflation. The economy I’m writing about is harder to pin, difficult to put your finger on, but, in a way, more important than the monetary kind. I’m writing about an economy of ideas. Like money, ideas circulate, transact, and evolve. To the untrained mind, we see nothing but a normal day, anything but extraordinary, and yet, ideas have and operate in an economy.

Though talked about all the time, including politics, entertainment, culture, education, and yes, even religion, this economy of ideas is invisible to many. These domains of our earthly existence organize and compartmentalize us. They group and arrange us in where we eat, what we watch, how we vote, how we learn, and even what we believe, without us ever being aware. We “dress” in outward forms for each of these domains: a suit for business, a uniform for politics, a certain tone or style for religion. They become compartments for daily life, each with its own outfit for success. By not adhering to the dress code, we feel naked and, maybe, bound for less-than-favorable results.

But what could it mean if we are compartmentalizing according to these domains? We’re compartmentalizing ourselves – and each other – by this economy of ideas. Business and politics, though different, sometimes intermingle in ways that benefit both – though not always for the good of the public. In the political domain, democrats and republicans stand on opposite sides of the fence, each loyal to their values and policies, with little room for crossover – public servants and voters alike. Liberals mostly protest. Conservatives mostly rally. Republicans are overly stiff. Democrats are overly loose. A family divided by politics at the dinner table runs downstream from the deeply seeded arguments between politicians reported on by the legacy media circuit. In business, profit margins are precious and pried open with crowbars. If government can help, businesses are happy to reciprocate. Meanwhile, religion and entertainment often overlap more freely, but even there, boundaries of morality and ethics remain. In entertainment, money and sex and violence, by and large, make up the sparkling cocktail, generating revenue for studios and the “artists” who treat such ingredients of the cocktail as their bottom-line definition of what makes the human condition or simply as a means to wealth and opulent lifestyle. Religion, the most active and leaned upon domain of this economy of ideas, is as rich, diverse, and flavorful as 31 Flavors. Each holds a unique doctrine and a laundry list of rituals and practices that the believer must act out to mature in faith. Assuming the most passive role in this economy of ideas is education, where teachers are underpaid and underappreciated, where financial literacy is a foreign language, the teaching methods enforced are as updated as a Windows 98 laptop, and the environment for learning is as freeing for the student and technologically advanced as someone in an orange jumpsuit, handcuffed, and led to prison by a gated network of pathways to the desired career paths. In culture, all the aforementioned flow freely, circulating, transacting, and evolving according to both proven patterns and the cracking, thunderous upswing of phenomena.

Eventually, in this economy of ideas, we all feel a certain hunger. Some chase fulfillment by doubling down on politics, others through career and culture. But countless millions turn to religion, seeking something deeper: an encounter with the divine. A whisper, a nudge, a tap on the shoulder, a chance encounter – any sign that life may be more than a constant migration through this economy of ideas.

Yet here’s where we stumble: we treat the divine like another domain in our economy, applying to God the same finite rules by which we organize society. But through silence, God does not bend to human management or systematization. We only interpret his silence as a sign of no protest as we cook up doctrine for organized religion. We need to organize as a collective, but up to this point, it’s been on our terms, not his. He lives and breathes outside this economy of ideas.

We know it. We sense, deep down, that our game of religious “dress up,” while useful, is not enough. The satisfaction we crave – the fullness we’re starving for – comes only when we strip down those layers. When we stand naked before God, unadorned by the ideas that superficially integrate us – socially, economically, politically, culturally – but fail to touch our depths, then – and only then – do we discover God, and in the reflection of his eyes, our true selves.

God is not bound by ideas. Doctrine may articulate the definition of God by compiling scripture from the Bible, but God is far from contained within theology. God cannot be dressed in garments of doctrine any more than we, as adults, can still fit into our baby clothes. God dwells in the infinite, the vast dark unknown of his own presence. And in that space, our intellect – scrambling to return to the comfortable finite of ideas – becomes as put-together as a sand wall against the rising tide.

We were made for more than the rigidity of ideas and the economy that manifests from their interplay. Picture standing on the beach. The sand represents familiar structures of belief, trade, interaction, play, and infrastructure, where we feel the most stable and sure. But just a few yards away, the sand shifts and fades beneath the crashing waves as the depth rises to the shoulders and the dark depths of the ocean reside beneath your feet. Suddenly, the domains of the economy of ideas, the fabric of human society, fade and lose shape like colored dye in a glass of water. Here, the mind is gone, and the heart only feels, but the soul is wide open to hear the voice and love of God. Time and space don’t matter. Shapes and sounds are the grappling hooks.

Walking out of the ocean, the beach is never the same again. For the first time, being naked feels like a strength in this economy. It’s armor that never fails. It’s armor that is light and easy to wear. Underneath is who we truly are in God, and now, in this economy of ideas, we’re like Neo, able to read the current of society in all its facets and complexity, because God, who made it all possible, is our constant.

Finally, instead of us moving, it’s the economy of ideas moving around us. We’re still. It’s not. That’s the nakedness that Adam and Eve knew, and through Jesus, the Christ, we can go swimming.

The Eternal Moon, My Magnum Opus

For my birthday, I want to share something special–a new draft of the summary for my science fiction series, The Eternal Moon. This saga spans twelve books and has been years in the making. For the longest time, I doubted I’d ever finish it–let alone see it published. Only recently have I found real hope that those dreams might actually come true.

This morning, as I cracked open my laptop, many potential topics for today’s post flickered through my mind. But with today being a milestone, I knew I had to return to my Magnum Opus–the sci-fi epic that has tested every ounce of my imagination, persistence, and resolve.

So, here it is:

THE ETERNAL MOON

In history’s final days, the battle between good and evil reaches its fever pitch. Evil makes its last, desperate move – a single gambit that could lock Earth under its rule for eternity. The year is 2965, and the fate of all creation hangs in the balance.

In the sleepless steel labyrinth of Metropolis – Earth’s sprawling capital – orphans Jordan and Jesse scrape by on wit, grit, and sheer will. Survival and friendship have bonded them for life, or so they think. Their lives take an unexpected turn when fate reunites them with their birth families… but rescue isn’t always salvation. Jordan is swept into the opulence and intrigue of the Rushes, a wealthy tech dynasty whose power stretches across the globe, while Jesse returns to the crushing poverty of his working-class parents, where survival demands hard choices. But they quickly discover that both their paths lead to one terrible truth–an ancient, eternal gambit crafted by evil forces as old as time itself–making these days in which they live the last days of human history. As political intrigue closes in and blood ties threaten friendship, their worlds pull them in opposite directions, straining their once seemingly unbreakable bond. In a time when the difference between personal gain and eternal fate is blurred, that which is sacred is now weaponized.

Copper: The Poor Man’s Silver

One man’s trash

Copper isn’t just another shiny metal – it’s heavy, valuable, and everywhere. At $4-5 per pound, it’s surprisingly easy to find in discarded items people overlook. Anything with a power cord, once unscrewed and cracked open, can become an investment: microwaves, televisions, lighting fixtures – you name it.

But the appeal of copper runs deeper than it’s luster or weight. I call it the poor man’s silver. Silver, the aluminum-like cousin of gold, currently trades around $37 an ounce (as of this writing, $38) – a bargain compared to gold, but a meaningful amount, especially in this recession, still out of reach for many. When you’ve got only $50 left – the bills are paid, the tank is full, and the groceries are done – investing in precious metals rarely tops the list. A night out or a new gadget feels more tempting and is only one click away on Amazon.

Here’s the thing: after an hour of scrapping for copper, that $50 is still sitting in the account, ready for allocation elsewhere. The investment came not from dipping into savings, but from reclaiming value that others tossed out. To many, “time is money” a mantra to live by; so, nothing is truly free. But if DIY brings you joy, don’t let someone else’s definition of time well spent get in the way. Except mine, of course.

Copper is near “bottom of the barrel” compared to gold or silver, but it’s also the next best deal, and it’s outside the formal market. Scrap copper – especially from power cords and other clean sources – often retains high purity, without the Everest-steep, criminally high premiums that come with bullion. Bullion copper is poured, stamped, and sold at inflated prices, with premiums ranging from 100% to 600% over melt value. A copper round might sell for over a dollar while its melt value is under 50 cents.

Another man’s treasure

As an investment, bullion copper doesn’t make sense. As a collectible? Absolutely. As scrap? Even better! Copper is everywhere, and the market is full of opportunities for those willing to seize them.

Superman Not So Super

Supposedly leading the charge in the new (and improved) DC universe, (or, at least, that’s what Warner Bros. wanted you to believe), the new Superman movie is officially in theaters. Sadly, this Superman movie is anything but that. Instead, it’s got as much of a chance at making progress as a gay pride parade on a blood-splattered battlefield – and it desperately needs to deliver on the hope that makes a Superman movie great. For Hollywood currently suffering from artistic heart failure, that’s a tall order, maybe even unfair. Spoiler alert: There’s no hope here.

A great story is character-driven – genuine heart, no flashy plot – but James Gunn’s Superman, starring David Corenswet, (sidestepping body odor jokes), flips that script. This film is overloaded with plot clutter, packed tighter than the actor’s costumed underwear, and has as much honesty and depth as cast comments on the red carpet. It’s got the hallmarks of a former Marvel director’s cheap gimmicks: hit-or-miss humor, bright colors, weird aliens, and pets doing silly things. But does it have soul? As much as a rock does, yes. I mean, hey, that soulless strategy made Marvel billions. Why not ruin Superman, too?

Let’s get into it. Wrap your inner child in a warm, Superman-emblem blanket, put a good Superman movie on starring Christopher Reeves, close the door, and come outside to see the Kent farm in ruins. Face the destruction dispassionately. Can’t say I didn’t warn you.

Krypto the Annoying

The dog’s supposed to be Superman’s loyal companion, but he’s just a constant, distracting presence – playful whether the stakes are life or leisure, contributing nothing but irritation, clogging an already backed-up plot.

Superman, the Punching Bag

The Man of Steel spends more time taking hits than dishing them out and even throws a tantrum in front of Lex. While he’s supposed to draw strength from the sun, he seems to be as emotionally driven and unstable as characters written to deliver a killing blow regardless of the collateral damage. Superman stands for truth, just, and the American way, something Bruce Timm’s Superman embodied with timeless fashion. Yet this screen treatment of such a well-established character feels insecure, conscious of the shadow cast by all previous iterations, though, to give credit where credit is due, this Superman is not nearly as emotionally driven than Zack Snyder’s Superman played by Henry Cavill. But where Cavill’s Superman showed confidence in 2012, Gunn’s Superman has no identity.

The Lore, or What’s Left of It

Gunn’s creativity here feels less a superpower and more a liability. He depicts the Kryptonian parents as power-hungry rulers. Kal-El’s birth parents want him to subjugate Earth and have many wives. Where Gunn saw this as a good angle for the story, it’ll forever remain unclear. There’s never a question of whether Kal-El will do as his parents wished. That’s not who he is, inside or outside this movie. Superman exists outside the studio system in the hearts and minds of fans, so this plot twist is a non-starter in so far as Superman’s character is concerned. Now, sure, it does make his relationship with the inhabitants of Earth a bit wobbly, but even that has no meaningful impact on the film’s plot. Meanwhile, the Kents? They’re technologically clueless farm folk. They squabble and undercut each other when they should emulate the moral upbringing that made Clark Kent-Superman who he is today, but they’re hardly the moral anchors the “alien refugee” was raised by in better installments.

The Lex vs Superman Showdown

Lex Luthor fights through a keyboard-commanded surrogate clone in a high-rise command-center, which feels more like a high-end call center than the lair of an arch-villain. After a decade without Superman films, this is the “thrilling” third act we get? A fight between a weakened Superman and a clone of himself controlled by a button-mashing Lex Luthor? To add insult to injury, a wasted Supergirl shows up before credits roll just to pick up Krypto. Maybe the scene would have fit better in a stronger script, whether it’s comic book accurate or not.

If that weren’t enough, the supporting heroes – the “Justice Gang” of Green Lantern, Mr. Fantastic, and Hawk Girl – offer mixed bag performances. Hawk Girl, powerful but immature; Green Lanter, played by fan-favorite Nathan Fillion, under-utilized by a weak script; and Mr. Terrific, scene stealer, showcasing the competence and confidence Superman sorely lacks throughout this whole picture.

A Script Undeserving of “Superman”

The movie’s own theme collapses under a heaping of CGI led. Superman faces the choice between heroism or villainy, but the story barely gives him time to wear the shoes of Clark Kent – his essential, grounded alter ego – before burying him in scenes that feel more like Guardians of the Galaxy than anything from Superman’s universe. Clark’s relationship with Lois Lane, which should have served as the emotional anchor of the story, instead feels like a fragmented sentence, incomplete and barely explored. Though, brief moments of hope do spark. However, they are far too fleeting.

James Gunn, Studio Darling or Creative Liability?

Why Warner Bros. picked James Gunn to direct this iconic character is anyone’s guess. This movie treats Superman with the same careless management Disney showed the Star Wars sequel trilogy – a beloved legacy mishandled, leaving fans frustrated and disappointed. Instead of unlocking the secret of Superman, Gunn seems to have jammed the wrong key in the lock, smashed it beyond repair, and called studio executives to break in with an axe, completely counter to his previous claim that he had “unlocked the secret” to the character in this movie.

Trump Orders U.S. Air Strike Against Iran

Just when we took Trump at his word, that Iran would face consequences if in two weeks they didn’t cease attacks against Israel after two weeks, he makes a shocking announcement – a bombing strike carried out by U.S. Armed Forces on his orders, against Iran’s nuclear sites.

This is results-based, Trump-branded foreign policy at its finest. He’s not messing around. With Vice President JD Vance, Defense Secretary Pete Hegseth, and Senator Marco Rubio, who also holds the title of Vice Chairman of the Senate Select Committee on Intelligence, Trump announced at the White House that this strike was successful. Prior to this, Trump had given no indication that such a move was even in the works because it was a secret. That sneaky bastard.

According to the administration, this was a covert, precision air strike with a narrow purpose of decapitating Iran’s nuclear capacity. It was not an official act of war. The night-time strike was Trump’s way of weakening Iran’s combative posture. Trump’s decisive action, kept top secret until its resounding success, was probably to pull the world back an inch from everyone’s favorite dreaded sequel to humanity’s ongoing trilogy of world conflicts. While that’s speculative, it’s also not outside reason as far as theories go, for in the middle of the world’s pressure cooker, nuclear-capable Iran shares dead-center with Israel. With Taiwan and Ukraine as the other two hair-trigger hot zones because of their neighboring antagonists China and Russia, Iran got addressed first to cool off the region and bring Israel lasting relief.

This strike, just months into his second, non-consecutive term, further cements Trump as a historically uniquely dynamic president, taking immediate action for the best results. Given the timing and results of this attack, it stands to reason that, to avoid a world conflict, Trump will act, if and when the remaining hot zone regions push the world to the brink of times like that prior to the signed surrender of Japan on the USS Missouri.

Trump’s actions set him apart from previous administrations. Unlike George W. Bush, whose family was deeply tied to politics, and Barack Hussein Obama, who hardly set foot ever in the private sector, Trump became president after achieving long-term celebrity status in the business and entertainment industries. His no-nonsense approach to deal-making on television and empire building entertained and inspired millions. If he doesn’t have a gold toothbrush, he owns the company that makes the toothbrush. Trump is a high-energy, non-stop entrepreneur who cares about assets and growing wealth.

But unlike his compatriots in the world of opulent wealth and headline drama, Trump doesn’t let public opinion determine his response. He’s got the commanding presence to flip public opinion through results. Having crossed the divide from celebrity billionaire to politician and won in the 2016 presidential election, before wading through legal law-fare bombardments leading up to the 2024 election, Trump has shown his thick skin regarding public opinion by winning the confidence of the American people in November, becoming the 47th president of the United States, promising peace and no war during this term.

Of course, avoiding all wars during his second term remains a tall order no smart politician would promise. But Trump’s cleaning the blood of his sword after a slice across Iran’s nuclear sites. If there’s anyone with the authority to steer America clear of overseas conflict and the commitment to see it through, it’s the man who nearly got assassinated, waded through seemingly endless legal battles, and ran a powerful campaign, resonating with voters, to win the election.

Since he took office and following the aftermath of this attack, Trump has brought transparency, results, and foreign action to the federal government when nothing of the kind had been seen in decades, if not centuries. Trump is strategic, unpredictable, and provocative, of the people, by the people, and for the people.

Let’s just hope it stays that way for three and a half more years.