Santa in September, Part II

Alright, so, Santa relaxing in September was where we left off. He’s resting before gearing up for the holidays, and he’s living off his stash of silver and gold, which is precisely what would attract the naughty who would want to steal his treasure.

There are a few things this begs to question. Does Old Saint Nick have a way to defend himself? How wrong could things go? Whom can Santa call on for help? And we’ll answer them in that order.

Santa carries around an umbrella, a tool he can offer others and defend himself with. Of course, it’s a magic umbrella, capable of surprising anyone who uses it or gets hit with it.

No matter how careful Santa tries to be, someone’s bound to notice his uncommon form of payment and want more where it came from. Something he cannot avoid is paying someone on the naughty list for passage somewhere.

Entranced by the precious metals in their hand, the naughty one, with street smarts to boot, takes mental note of Santa’s defining feature, his eyes. They are the eyes of a saint, warm and welcoming, and leaving a lasting impression on anyone who comes in contact, though they don’t know it.

One Saturday, having chosen a different AirB and B in the back country, as he has for the first three Saturdays, Santa settles in for a quiet day inside, Christmas songs on his heart, a Safeway box of sweet and sour chicken stabbed with chopsticks on the table, and a stack of wood in the fireplace ready to catch flame.

The latched door is pried open with a crowbar and kicked in. The naughty figure stands tall in the doorway, cold air blowing in from outside. Santa remains sitting, unfazed. He’s known this man since his first letter, which asked that his dad come home from the war for Christmas.

As Santa purses his lips at the encounter, the imposing figure, wearing leather gloves, grips his crowbar and points it at Santa’s leather stash of silver and gold. Santa slowly shakes his head, unfazed by the razor’s edge upon which the moment hangs.

The figure steps inside and closes the door with a slow creak. Santa sighs. The figure walks over to Santa, his steps measured for instilling terror in his victim. As he looms over the old man sitting in his chair, Santa shakes his head.

That leather grip on the crowbar tightens with silent rage, but the thief sidesteps Santa in his seat and goes for the bag of silver and gold, opening the sack to see the coins glittering from the ceiling light. A shadowy grin appears on the thief’s face as he chokes the bag closed and stands up, only to turn around and see Santa standing before him, making eye contact at his level. He too has a imposing presence, his red suit somehow giving him a transcendent presence.

Where everything changes is in Santa’s eyes. They tell the thief’s entire life’s story in one look. How he’s become this thief, who helped him along, and how Santa feels about it, compassionate but furious. Most powerful though is how he feels in Santa’s eyes: small.

The sack hits the floor with a sharp, metal thud, and the thief raises the crowbar to a striking pose. Santa’s eyes remain locked on his, unchanged.

With time standing still, the thief lowers the crowbar, having lost the upper hand, having felt exposed and disarmed. No one had looked at him before, stared at the monster within, only to show compassion and outrage.

The figure walks passed Santa and heads for the door before he felt a sharp pain against his temple and blacked out, Santa towering over him with his umbrella.

With the man on the floor, out like a light, Santa sits back down to enjoy his now-cold sweet and sour chicken, the fire in full blaze. He’s just not in the mood for Christmas songs anymore. But the rest of the year – and the naughty list – press on him with urgency and empathy.

It’s almost October, and he’s still got plenty of silver and gold to last him the ferry ride home. Iceland will be his last stop.